phoenix g. ferm and deep kickdrums that are being accompanied by lengthy chords and a frequently return male vocal that states, bounce. all and all this is the dancefloor music we are used to from mr.g. the a2 brings a more technoish vibe to dance to. this fits perfect in the modern trend of bass producers turning techno. while of course g is somewhat more of a legend and he didnt just turn to this type of music recently. it does proove that he is still abel to catch any kind of vibe to get the people moving. on the b1 we find a ben sims remix. which of course is enough said. mr sims turns the a2 original into an absolute floor wrecker.

this sound will definitely clear your mind and thats a promise! with great pleasure brouqade proudly presents dragosh, a highly talented young producer from rumania. his ep, five is uncompromisingly devoted to his obsession with snare and bass descending into the depths, there, where the beat sharpens the senses. vocals whisper unexpected secrets. dragoshs molecular, crystal clear sound beams directly onto the dancefloors. no detours.

it is the end of the world (again!) and laut & luise gladly welcomes a new artist to the family: on akumal ep - his first vinyl release - christopher schwarzwalder puts together four exploratory, driving and hypnotic tracks. after waking you from your slumber with >keep< (a1), >jakob< (a2) entices you to take a little ride into the sunset. on the flip side, >barely legal< (b1) easily brings you down into the night, while the hidden energy of >das ganze boot auf acid< (b2) will mesmerize you for the hours after the hours, leaving you in a place where time is of no interest.

the second part of the >what about talk about< series by baaz starts with >owls night<. a deep house tool with a vigorous bassline, some classic 909 elements, weird vocals and a pumpin piano chord. >those things< the second track on the a, infects you with positive vibrations and the magic mood. the b side enters with a remix by the highly skilled producer michel bauman under his moniker soulphiction. he turned the track called k.m.s. into an emotional and strong kicking house tune. a cut for the special moments. the original is produced by iron curtis & baaz . 90 bpm, a dippy pipe organ, wooden beats and shaky percussions. the last track >whatabouttalkabout< is a lush experimental listening slice, prober for the dark and chilly winterdays.

last copies left !!
first 500 copies with a2 poster packaged in a gatefold cover!!!! the thunder from thuringia, genosse from gera, mr. minimal samba, the man that goes by many names is here to present to us his very first lp on none other than his solo action vakant home. about 2 years in the making, studio 10 takes mathias kadens life-long work as dj and producer, world wide tours, twenty something years of listening and thinking, machines and people, wraps a bow around it all, and delivers it with roses dipped in chocolate. always taking his time with production, mathias focus on quality over quality continues to pay dividends no matter the state of the economy. unique in many ways, studio 10 was also unique for the producer himself. never before has mathias incorporated into his music so much hardware, field recordings, messages, and invited friends and orchestral musicians to collaborate

forthcoming your brain on drugs ep on definition:music suprises with a strong package of deep techno sounds.zeitgeist a.k.a. richard belsom is known for his releases on viva music, liebe detail, alive records, katchuli and many more.your brain on drugs promises a trip into another world

in the finest dub tradition, mark stewart has returned to his highly-acclaimed >the politics of envy< album, sonically savaging it into a new monster, suitably entitled >exorcism of envy<.
released on december 3rd, the set sees stewart revisit the soundscapes which hotwired the original album as a viciously spot-on aural depiction of our world, remoulding its ingredients with gloves off and intensity levels on overdrive.
limited edition double vinyl release, includes cd-copy of the album and a poster.

double 12 inch, one black & one white vinyl + download card.
>stereotype< the second single from bristol industrial dub pioneer mark stewarts recent album the politics of envy gets reworked by a host of guest producers. hyper dub duo hype williams unravel stereotype into a fiercely breath taking dub-spectacle, unfolding three-quarters of the way through into a sky-bound grand finale. fred venturas italoconnection remix radiates with a cosmic-coated, sugary burst of popular 80s synth and as expected plenty of italo spark & flair. daniel b of front 242 pulls the originals fuse, and rewires it into what you would kinda imagine a 31st century electronica frankenstein would sound like. renowned techno figure perc gets angst and intense with a heavy, mechanical but beautifully crafted remix destined for the most no-nonsense of floors. chicago native chrissy murderbot channels the same high impact baltimore sound that you will find in machinedrum and schlachthofbronx productions, carrying us out guns blazing with ballistic footwork drum beat firing. finally, mark stewarts dub version of the song and a taster from his upcoming >exorcism of envy< lp to be released later in the autumn.

making their long anticipated debut on colourful is danish outfit zohdy & senna (twobirds). title track showcasing a beatitfully crafted song with gorgeeuos deep harmonies and a bassline to die for. david keno takes the remix to 80s disco territores, yet with a firm beat to move any floor. flip side sees the duo wander into acid territories withkeep the beat and to wrap things, a solid deep builder with a totally addictive organ hook

after two years of amazing releases, spark musik is celebrating its second anniversary with this very special release by frankyeffe - smell the countryside. the italian born producer had quite a respectable year, with huge releases on labels such as, adam beyers truesoul and sasha carassis phobiq imprints. this time around, frankyeffe has done it again on spark, with two original dancefloor friendly tracks that will fit into any set. in addition to these amazing originals, justin berkovi & roberto capuano have taken on remix duties to make this release a complete not to be missed package.

seasons is produced by carlos nino and features many great are sts from the l.a. region such as dwight trible, the life force trio, miguel atwood-ferguson and mark de clive-lowe. artwork made by machine.

the new album by akiko kiyama, consisting of 2 vinyl records, has become the long-awaited debut for nervmusic records, to at once fully demonstrate the musical philosophy and vector of the label. deviation is not just a random selection of tunes, but a whole theatre act, made of sound patterns and melodies, a fantastic journey into a subspace of inner images and memories.

david moleons moop up suprises with a special vinyl edition of their new project: gangsta techno staff. the gangsters on this edition are david moleon vs. dito masats and horacio cruz & c-system. spanish techno for the main stage!

next round for chymeras >death by misadventure< interpretations. this time, both remixes were made for >an island in space<, definitely one of the highlight tracks of the album. on side a, uncanny valleys jacob korn, who just released his debut longplayer >you&me<, turns the tune into an intoxicating hymn somewhere between house and techno. catchy, and with a wonderfully positive atmosphere, the track is pure bliss. on the b, dutch techno veteran orlando voorn delivers a piece of properly driving melodic techno. several melodies entangle to one big sound collage. there is no real beginning or end, like a neverending jam. a very unique track and so much more than a useful tool...

these redux releases are like buses, we dont hear anything for ages then they hit us with three killer eps in a row. following the grand corporation and machete savane comes the return of phoreski. we have not heard much from phoreski for a little while, but you will soon hear why when you put the needle to the record on these two new tracks. he has been busily building up his studio into an enviable aladdins den of vintage kit, wires and analogue recording equipment. all synths and vocals you hear on these tracks come from phoreski, no samples, no guests, no edits. he has been hinting at this raw, analogue authentic sound for a while, but these tracks showcase a producer at one with the machines. >brown biscuits< comes across like some lost italo/cosmic gem, but via the north east of england rather than the lakes of italy. >machines< flexes tight proto-house rhythms with some bass that will make mince meat of lesser club soundsystems whilst the feuding synth lines fight for attention. this is proper body music, play loud!

awesome sounding remastered re-issue of this super-rare underground disco belter from crosstown traffic. originally released in 1979 on tiny philadelphia label d.c. records, this highly collectable 12 inch still gets plenty of playtime today from djs such as dmitri and al kent. on the a-side >party people< slams you hard with funky basslines, furious disco beats, heady 70s synths and a whole load of party lyrics. truly infectious! then grooving sideways into your life is the b sides >love your family<. yet another disco gem, this tune is mellower yet will still have you running to the dancefloor with its first-class bass guitar riff, deeply-disco tambourines and hand-claps. great stuff!

the third and final part of prime numbers trusme remix series. once again berlin is in the house with berghain master ben klock taking the trusme classic >w.a.r dub< into deep & dark dancefloor territory. in his inimitable style all is condensed into a tightly worked & clinical production. the groove is meticulously worked into making for some hypnotic techno. klocks compadre & panorama bar resident ryan elliot takes on >nards<, stripping back its parts to an insistent & organic piece that that builds to the end. vakula completes the set with a tough reworking of >need a job<. unremitting acid moves bend around a heavyweight break with increasing intensity. serious dancefloor material.

proper four track 12 inch vinyl! curious will get em jackin, medicine is a brazen belter, without end is all sultry and steamy with lust and longing and teedraheedren takes you on a psychedelic electro-funk odyssey before dovetailing into a dubbed-out arpeggio wonderland. we really are extremely pleased with the vibe of this release. hope it hits you in a good place

3 chairs, omar s and patrice scott. this limited ep is testament to the wild basement energy that has culminated from these nights, beautifully pressed on wax for this first ever vinyl outing. remember is a swinging downbeat vocal track based around a superb vocal improvisation from newcomer chris raine. an ambitious opener, this is fine uk hip soul with warehouse dancefloor swagger to boot. next track, the benji b endorsed cookie strips the vocals right down into a swirling motif of sunrise energy. this track sounds great on the radio, but will also find favour on the more discerning soulful floors. for a contrast flip over for the kraftwerkian micro-tech of contact to hear what a werk party sounds like at a hazy-eyed 3am and finally, as if all this wasnt enough check out the dubby, spaced-out brawn of u&me which sees second outing for vocalist chris.... on this ep which rounds things off nicely. for fans of firecracker, exit records and prime numbers, this exciting and multi-faceted ep marries uk and detroit influences with consumate ease. one to watch... plays/ supported by benji b, rahaan, kev beadle, burnski, kevin reynolds etc.

supported by ricardo villalobos, richie hawtin, raresh, m.a.n.d.y., andre galluzzi, ryan crosson, meat, matt star, franksen, mozaic. mr. jens zimmermann is back again with an new 12 minute deep techno bass killer. no more words necessary. on the flipside we have brilliant deep detroit techno from our man silvio marquardt from greifswald, germany. in this track things happen and happen and it goes directly into your brain. just lay down, listen, relax or just dance to that music.

now keep your eyes and ears peeled for an original hreno! his music is best described when not described. although it has been likened to an unmanned, deep space, probe droid. or an unrelenting pony ride at a petting zoo. experiencing this music is like standing on a rivers edge, or on a vast precipice. either for the bathtub or a spring mounted dance-floor. hreno has opened his vaults. dive into a sonic experience, travel from country to country, forget boarders, feel your heart warm up, suddenly you are completely new. then portage to reach the other side and let yourself get lost ...
pressing on blue, marbled vinyl.

diva is a project which explores the outer regions of technos psyche - combining the trippy sensuality of chris & cosey with the brutalist analogue aesthetic of the likes of robert hood or liasons dangereuses. inspired by the vocal histrionics of strobe lit sirens such as loleatta holloway and jocelyn brown, diva calls on the protean roots of basement club music. lead track >paris stabbing< is a stunning excursion into motor city madness, abstracted disco vocals clash with a broken digi-arpeggio and hooverish bass break down, whilst the flip side >but i ve never< imposes a detuned synth siren over an industrial bass sequence and sp1200 piano stabs to eerie effect. also included is the >paris stabbing (beats)< which pares down the original, adding detuned melodic percussion into a minimalist after hours tool.

vinyl only... special request returns with the third vital 12 inch in this series based on capturing the spontaneous rugged energy of uk pirate radio and re-wiring this into chaotic dancefloor moments. maintaining all the illicit qualities of the best hardcore/jungle blueprints but reloading them with a contemporary approach, there is an attention to detail and touch here that makes these recordings far from revisionist. on the third stamped release, special request tackles the voice of one of this years most talked about artists, laying down a deadly amen break and killer hoover bassline for a sub 130 bpm dnb track that is simply explosive. on the flip is the even tougher vip mix that doubles up as a dub. limited hand-stamped, vinyl only release

already a regular fixture on figure, swedish talent mikael jonasson returns for his third outing on the label with two cutting-edge techno experiments. incredibly crisp and clear, already primed for the worlds finest bigsystems, cravings encapsulates everything that a modern paranoid techno jam should be. surging textures, static-madness and a whole lot of detail wrapped up in a rolling, funky workout. jonasson is well known for his attention to detail and freaky, alien sound effects, and cravings only solidifies his talents there. the fizzing, low slung thump of swings still twists and shimmers in the high frequencies, full of details, but the deeper earthy kick and bass barrage take this one into more serious, heads-down zones. a real slammer for moments when you know youve captured your followers completely

bosconi is proud to announce the arrival into the family of one of the greatest legend of house music, the oldskool hero a guy called gerald. the release randomly arrives in coincidence with the definitive closing of another legend, the place in berlin that has been a symbol for years of the cultural renaissance of the german capital after the wall, the tacheles.

lo priority grooves volume 1 sees oh so coys first foray into the vinyl market afterconsistently releasing quality house music digitally since 2010. the label has been on the rise ever since garnering support from the likes of quentin harris, grant nelson, mark farina, mario basanov, nathan g

van bonn returns after his release maserung on telrae in april 2011. van bonn has been in the studio a lot since then and has worked on a number of tracks that are highlighted here. onwards i is an excursion into sound. it starts with sounds that interact in a subtle way but then as if by magic, suddenly it rises to a much higher energy level, almost pulling you by the hair. chords now kick in with the full force of brutality, like the strikes of london�s big ben and then you�d think the track will just burst. van bonn makes another turn before he lets the drums break loose. it seems as if van bonn is taming the brutality and direction of his electronic machines. abstract now meets the concrete and whoever wins the fight is up to the listener to decide. the first remix comes by raffaele attanasio who has had considerable success with der pianist and i m a jazzman and has collaborated with trapez ltd artist mihalis safras, a. trebor (trapez), as well as claude young, nic fanciulli and has shown his versatility throughout the last 3 years. juan atkins recently featured raffaele attanasio remix of no mans land by a. trebor in his charts.his remix for van bonn keeps up a strong beat programming right from the beginning. a beat monster so to speak is alive from the beginning and kicking. the track is written in a style that shows expansion and contraction and through that shows an organic breathing quality.

following on from last years hugely popular soul clap social experiment compilation, electronic music heavyweights art department step into the driving seat to compile and mix the latest installment in no.19 musics album series. this is a outstanding taster in the form of the vinyl sampler featuring original material from my favorite robot & art department themselves�

while channel x took us on a full-length musical journey through their very own �wonderland in september, this follow-up remix package guarantees to drag you even deeper into the metaphorical rabbit hole thanks to mind-altering reworks by doctor dru, robosonic, nico stojan and our competition winners, juicy jay & sh.

for its thirtieth ep release, culprit eagerly dips into the ever-expanding pool of italian production talent to welcome back lula circus. the release also features remixes from one of londons rising stars alexis raphael and l.a favourite urulu.

manhattan 85 is a funk driven affair of disco-led house. dabbling in a melange of sounds from classical strings to techno bleeps and vocal samples, the build-up to some complex layering is arranged seamlessly into feel-good, tuneful house that will lift any room.

the four track ep is indebted to the classic sounds of chicago house.

vinyl only! limited to 250 handnumbered pieces! >a grace odyssey< is a floating trip to outer space and comes with an amazing andre kronert remix that brings you down to earth again. the b2 track is pure sunlight riding on a hypnotic groove into eternity.

this will be a special eclipse release. one of the most valued and respectable dub techno artists atheus decides to stop producing dub techno tracks to explore the most introspective soundscapes of ambient and drone music, and this will be his final step into dub techno music. he needs no introduction, a bunch of stunning tracks speak for himself. his inspired music has been released on labels such as styrax and million of moments , probably one of the best dub techno producers alongside deepchord and fluxion in the basic channel legacy. the record consists in two original tracks and one remix. the title track das ende its a proto-dub painting where rhythm patterns are made by a mixture of pulsating bass frequencies, reverberated hi-hats, delayed stabs and weird effected voices. a well done mix of sounds brings the dub style forward to unconventional and more experimental paths. hypno chamber its a typical atheus dub track with all the elements in the right place. deep fat sub-bass and delayed chords textures worked together properly as always with taste and skills. a special release remixed by the special and talented young producer decoside. he worked the main theme das ende exploring the deepest side of his incredible skill in shaping sounds...

the 2 tracks that make up the first release to fully convey the spirit of the label, interconnectivity between different sound to agglomerate and coalesce into one nature, plastic music.
track a1 is as alien autopsy with his heart bursting with blood acid, remaining constant at its base remind chicago sounds.
track b1 is not blood but mechanically oil that through a metal body, gives rise to an endless journey between the dub techno and detroit area.

repitch returns with a strong 3-tracker ep from the high-acclaimed british duo and, enhanced by a remix that comes from semantica s boss svreca. the release starts with a catchy techno track that got its strength in an endearing melody and a reassuring breath-alike sound that bring us positive vibes. in the a2, svreca puts the a1 track into a black tunnel. claustrophobic atmospheres, blind and disorienting sounds with a circular attitude that you ll not see the end. on the flip, the b1 would be the pick for those who want to destroy a dancefloor. straight and distorted beats are followed by sinister whistles, pressing and complex hi-hats layers culminating in a punishing melody.

in their own words, like a radio-controlled mechanical, electro-mechanical and multifunctional musical instrument, berliner ring build up relentless and relentlessly different grooves in a characteristically non-direct way. as if playing around without focus they layer their tracks and slowly position them into form. the tracks featured here were originally released on cd on the art yard label. melodies are fragmented, often even sparse, the groove never stops, but does so with intervals and while changing focus. berliner ring references similar bands in the krautrock and post-rock genre, but it s subtlety, the originality of their self-built instruments and their songs that shift from downright groovy to more atmospheric explorations of ambience and texture guarantee them a unique voice and perspective. essential stuff.

the creative combo doppelgaenger, pitchbar records latest offspring, are hitting the club scene with their vinyl debut >lumberjack<.
in the track >flavoured funk<, doppelgaenger live out their hard-edged, pushing, deep side. the slightly trancy elements are joined by a hard kick drum and somewhat deep vocals contributing to the tracks dark and driving atmosphere. this track represents a homage to the thick tree trunk that drives itself firmly into the earth, covered by a resilient bark and crowned by its old cracking branches.
the second track, >i feel good now<, mirrors the trees lush foliage. somewhat lighter around the treetop, there is nonetheless a solid body below, which can be played into wide space. >i feel good now< gives us the lightness to leap from branch to branch and up into the crown that protrudes into a dark night time sky.

first up is lone, recent album recruit to the re-animated r&s, who takes the fake original and makes it very much his own, the wistful strains of >paean< slotting seamlessly into lones seductive wobbly, wonky, early nineties retro-futurist world view, to extremely playable effect. fresh from his own new lonely at the top album duty, lukids rework is a more radically transformative affair, sprinkling his trademark bass heavy hypnotic drum mantras with a suitably warped smattering of fakes mystical twinkles. and as a final a2 bonus, fakes own contemplative coda mix seeks to wring every last drop of ambient goodness out of his utopian original.
limited to 500 copies, this ultra-collectable 10 inch vinyl release comes as a perfectly timed companion to nathans impending tour support duties in the company of forefathers of uk electronica and fake childhood heroes orbital.

after 3 years of releasing successfully as a digital only label, genesa records is starting with a special series of vinyl releases. for the first release we have original works by the label owner himself, scalameriya, and one of genesas main artists, yuji kondo (aka ducerey ada nexino) from japan. on the remix duty, 2 well-known names: the fierce sound of ancient methods & floor shaking grooves from one of spains legendary acts, the incredible duo, exium, are pushing this record into higher standards.

echer has been around for quite a while, producing under duffstep & duffdisco to great acclaim he has decided to step out of the limelight and into the shadows. more than a metaphorical manoeuvre, he has already made a name for himself as a manipulator of a cheeky sample and a producer not afraid to add some bombast to the often-linear world of dance music.

limited edition on 10 inch snowflake vinyl.
as christmas 1969 beckoned, jimi hendrix, bassist billy cox, and drummer buddy miles engaged in extensive rehearsals for their highly anticipated appearances at the fillmore east in new york. branded by hendrix as the band of gypsys, the trio worked feverishly rounding such exciting new original material as >izabella< and >machine gun< into form. keenly aware of the special significance his forthcoming concerts represented, jimi wanted to prepare something extraordinary for his audience. to mark the occasion in his own inimitable fashion, jimi readied this special medley of holiday favorites to celebrate both christmas and the dawning of a new decade. this recording was made at baggys studios, a manhattan rehearsal facility the group preferred. it by no means should be considered a polished studio recording made to hendrixs exacting specifications. it is, instead, perhaps even more revealing. this is a glimpse of jimi simply having fun in the company of close friends. the photograph of jimi posing as santa claus was originally organized on behalf of the uk music newspaper record mirror. to help publicize the december 1967 release of axis: bold as love, the groups second album, jimi agreed to pose as santa for the issues cover. an alternate photograph from that session, with jimi bearing gifts in the form of axis: bold as love, is featured here. as an added bonus, also included is jimis playful >three little bears<. this track was recorded with the experience at the record plant in may 1968 during sessions for electric ladyland. bypassed for that album, >three little bears< was originally issued as part of the 1972 posthumous compilation war heroes. it has been unavailable in the us for nearly twenty-five years.

roll the dices peder mannerfelt presents a new 12 inch for the london based electronics label we can elude control. the release brings together a collection of percussive modular synth and noise experiments recorded live in his stockholm studio with the release exposing mannerfelts wider sonic interests and improvised approach outside of the production work he is more readily known for through projects such as roll the dice, fever ray and the subliminal kid.
come closer drafts a template of four hypnotic improvised recordings that cross the spectrum from industrial rhythms and arpeggiated modular cycles into angular ritualism and sähköesque reduction. collectively the material highlights a manifesto for a raw vintage futurism crafted from purist sonics and decisive percussive detailing, moulding aspects of tonal precision and immersive electronics from an array of analogue hardware.

continuing their forays into the world of yesteryear grooves unabated, those pesky hell-dwelling lumberjacks are at it again, this time drafting in o boogie and red greg for some disco funk finesse for the smoothest get-downs. o boogie lords it over the first side, leaning heavy on a rich piano hook that hammers lower register chords over an incessant disco tick, while evergreen track >papa was a rolling stone< gets re-versioned in such a floor-burning fashion you will need asbestos boots just to get out alive. red gregs >inner rhythm< plies familiar tropes into a sweet instrumental groove that makes all the right moves.

making all the right moves with previous form on aus, needwant and tusk wax, ejeca is well tapped into the revivalist house zeitgeist with these hale and hearty jams for waze & odyssey. solid inner city chords and crisp, bright drums abound on side a, with >night rays< sure to inflict some damage with its fulsome square wave bassline. on the flipside, >never forge< ups the tempo for a cut that dresses like tech house but moves like 2-step. waze & odyssey themselves bring a smoother, deeper vibe to bear on their remix of >riddim<, pulling the melodic content right back to subtle flecks for a greater dramatic impact.

in the sand shlomi aber delivers on his own be as one a new special treat after his recent release on cadenza.foolish games is a classy piece of vocal techno, featuring the dreamy voice of french artist möggli, a long journey into deep techno landscapes and a true masterpiece in shlomis career.lines in the sand on the flipside is an uplifting slice of classic sounding techno, that will surely win the linkings of many djs across genres.

time for the second round in jouems epic episodes project, so what can we expect from this talented musician after convincing with every piece of music ever released by him for just another beat and mojuba � well, nothing but pure musical bliss! jouem takes you on three new journeys into his very own mesmerizing sound universe! as usual all tracks are mastered by our man redshape!

here it is - the one you have all been waiting for! mr four tet finally gets round to rounding off the pink series with two heavyweight mixes. child genius happa whips >jupiters< into a blistering funk attack while jamie xx wraps >lion< all up in black and sends it back to the dancefloor. very limited as always!

life recorder aka, kriss kortz, with his original mix of beyond taking us on a journey with clean crisp percussion and beautifully constructed stabs that melt and transform us into a head bobbing junkie. first on the remix is the machine kirk degiorgio, keeping his mix tight and ready for the big floors, concentrating your soul on what we can only describe as hard-boiled funk. the second course is landed on our plate by label head elliott dodge, maintaing his raunchy 909 undertones and reverberated stabs, keeping us waving for one more. detroit born dj3000 aka: frank juncaj, takes his adaptation of beyond far into club technos sweet harmonious land of uplifting swagger.